Digital Screening of “Anjasa- Unravel the Wonders of Buddhist Monuments”

From 23rd July to 31st July “Añjasa”- Unravel the Wonders of Buddhist Monuments” was screened on SISTIC Live for viewers across the globe.

Apsaras Arts production – Añjasa (pronounced as “Anyasa”) refers to “The Path” in Pali, the classical language of Buddhism explores the beauty of Buddhist temple architectures. The production takes the audience on a journey through monuments including Mahadevi Temple in Nepal, Bodhgaya Mahabodhi Temple and Sanchi Stupa in India, Vattadage in Sri Lanka, Shwedagon Pagoda in Myanmar, Bayon in Cambodia, Borobudur in Indonesia and Wat Pho in Thailand. The production also highlights the contributions of Buddhist emperors, Asoka and Jayavarman VII who were iconic in the spread of Buddhism across Asia. This dance production features company dancers from Apsaras Arts and a unique musical orchestra with music composed by an array of Singaporean artistes including Aravinth Kumarasamy who composed the score which comprised both classical Indian and Chinese instruments including the Er Hu, Yang Qin.  The costumes and set design have been inspired by Buddhist iconography using color schemes of gold, saffron and red as found in Buddhist robes from India and Southeast Asia. Añjasa premiered in Singapore in January 2015 at Victoria Theatre and has toured to London, Liverpool, Manchester, Bangalore, Chennai, Colombo, Kuala Lumpur and Sydney. This digital screening is filmed at Nelum Pokuna Mahinda Raja Paksha Auditorium on 7th March 2017 presented by Ministry of Culture, Srilanka supported by National Arts Council, Singapore. Watch the dancers share their experience of the tour : Click here to watch This particular production and its show in Colombo bear special significance for the team at Apsaras Arts as it was the last production that Neila Mami blessed, as she breathed her last that same night. Watch Aravinth recall the memories of this Production : Click here To promote this digital screening, 3 unique talks were organized to showcase difference aspects of this production. On the eve of the screening, Directors’ Circle was launched. This is a new initiative that brings together behind-the-scenes insights from the people who created the production in a roundtable discussion. For this inaugural edition, Dancer-Choreographer Rama Vaidyanathan hosted Aravinth Kumarasamy (who created the concept, directed and composed the music), Mohanapriyan Thavarajah (who choreographed the dance sequences & designed the costumes) and Stanley Ang (who performed the Chinese instrument, Yang Qin). During this talk, they shared many details of their conceptualization and both Mohanapriyan and Stanley performed unique excerpts and shared the working philosophy and the research undertaken to depict the different elements of Buddhist architecture. Watch their conversation: Click here This was followed by an exclusive spotlight session with eminent heritage experts – Dr Chithra Madhavan (India), Mr Peter Lee (Singapore) moderated by Mrs Tara Dhar Hasnain (Singapore) on 4 specific Buddhist monuments – Sanchi, Pollorunuwa, Bayon & Borobudur. Here, they delved deep into the historic time period and the impact of these monuments to both the local environment and the composite identities that evolved over the centuries. This session was highly anticipated and we had over 70 attendees in a closed session. Finally, we organized a youth-oriented talk under our banner, Cultural Conversations with a session called “Tamils’ Routes in Southeast Asia.”. For the first time, this was bilingual talk in Tamil & English featuring 4 young Tamils – Harini Vee, Vinita Ramani, Seema Hari Kumar and Mohanapriyan Thavarajah who engaged and explore Tamil identity, historical routes within their roots as citizens of South East Asia. This talk allowed for open discussion on navigating fresh identities while taking cognizance of native Indian identity and layered local identities. The speakers spoke about the impact of classical India on South East Asia and how passing this on to future generations will always call for reflection and understanding of the past ideologies help appreciate and strengthen our appreciation of Tamil roots and heritage. Watch this Culture Conversation here : Click here A unique online Art Challenge was organised to garner interest in the production and the Buddhist monuments. Many young artistes participated in the junior’s category and used this opportunity to research and explore different artistic methods to recreate the monuments in charcoal, digital art, pencil work. The most popular monuments were Sanchi and Borobudur. The winners of the final round received Amazon cash vouchers and an opportunity for their artwork to be featured as part of Añjasa’s overseas tours in coming years. The many who watched this screening praised the performance and the splendour of the work created.

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Supported by

Devata: Guardians of Dance

BLK D Goodman Arts Centre

#01-24 90 Goodman Road Singapore 439053